Greatest Hits

Greatest Hits is a conceptual compilation designed to distill my broader catalog into an approachable entry point, addressing the question of where to begin when encountering a large body of work. The collection highlights songs that function as hallmarks of my practice, drawing attention to individual pieces that collectively reflect the scope and evolution of my artistic output.

I plan to formally release Greatest Hits in 2026 as an experiment in recontextualization—exploring how reframing existing work can guide listeners through an artist’s catalog and shape narrative in a cultural moment where sustained attention is increasingly fragmented. The version included here is a UVA-specific compilation, curated to provide a concise overview and history of my work while foregrounding pieces that balance accessibility with more exploratory compositional approaches.

The tracks span seven releases, dating from 2022 to the present, and are sequenced according to composition date to offer a sense of how my work has developed over time. While this collection functions as a supplementary component of my portfolio, it provides a broader view of my songwriting, production, and stylistic range, and helps situate the more system-driven works within the context of my longer-term artistic development. Taken together, these works provide the broader context from which my more system-driven compositional experiments, such as Magpie, have emerged.

I consider Today, Katamari, The Wind, and Kerosene all compositional high points of my catalog, and songs like Lightning Curses, Goblin, Savior (Goddamn), All My Friends, and Fireball are strong representations of my diverse version of art pop.

**Please note that the song Darling, Pt. 2 begins with a scream, which I mention so that you’re not caught off-guard

***Sample List***

Goblin samples The Rainbow Goblins by Masayoshi Takanaka

Savior (Goddamn) samples Suspended in Gaffa by Kate Bush

Katamari samples the movie So I Married An Axe Murderer